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home·artworks·Temptation of St. Anthony (detail)
Temptation of St. Anthony (detail) by Hieronymus Bosch

plate no. 6165

Temptation of St. Anthony (detail)

Hieronymus Bosch, 1506

oilNorthern Renaissancereligious paintingfiguresanimalsfantasylandscapearchitecturereligious
advanced study

Recreating this painting will help students develop skills in complex composition, layering, and rendering fantastical creatures with subtle color variations. It also provides practice in capturing the textures and details characteristic of Northern Renaissance art.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to map out the major figures and compositional elements.

  2. step 02

    Establish the background tones with thin washes of color, focusing on the overall value structure.

  3. step 03

    Block in the larger shapes of the figures and objects, paying attention to their proportions and placement.

  4. step 04

    Start layering colors to build up depth and form, using glazes and scumbles to create subtle transitions.

  5. step 05

    Define the details of the figures and objects, such as facial features, clothing, and textures.

  6. step 06

    Refine the lighting and shadows to enhance the three-dimensionality of the scene.

  7. step 07

    Add final touches and highlights to bring the painting to life.

  8. step 08

    Consider working on small sections at a time to manage the complexity.

color palette

primary · earthy browns · muted reds · grays · greens

secondary · yellow ochre · ivory black · cadmium red light · ultramarine blue

Achieve the muted tones by mixing complementary colors and using white to create subtle variations. Use thin glazes of color to build up depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·layering
  • ·dry brushing

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Using colors that are too bright or saturated, which will detract from the painting's somber mood.
  • →Failing to create enough depth and dimension in the figures and objects.
  • →Not paying attention to the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (small round, filbert, flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value structure.

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