apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Tefik's Yard (in Mangalia)
Tefik's Yard (in Mangalia) by Nicolae Tonitza

plate no. 7845

Tefik's Yard (in Mangalia)

Nicolae Tonitza

oilPost-Impressionismlandscapehousetreewindowplantsroofyard
some experience helpful

Recreating this painting will help students practice watercolor washes and learn to combine them with expressive ink line work. It also provides practice in depicting architectural details and foliage.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the house, tree, and plants with a pencil.

  2. step 02

    Apply a light wash of yellow ochre to the house walls, leaving some areas white for highlights.

  3. step 03

    Paint the roof tiles with a mix of burnt sienna and a touch of red, varying the intensity for each tile.

  4. step 04

    Add light blue washes to the siding of the house, allowing the yellow ochre to show through in places.

  5. step 05

    Paint the tree trunk with burnt umber, adding darker shades for shadows and texture.

  6. step 06

    Use various shades of green and brown to paint the foliage, using a dry brush technique for texture.

  7. step 07

    Add details like the window frame, flower pots, and other small elements with a fine brush.

  8. step 08

    Outline the key shapes with black ink to define the forms and add contrast.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · cadmium red · sap green · raw umber

Mix yellow ochre with a touch of raw umber for the warmer tones of the house. Combine burnt sienna and cadmium red for the roof tiles. Use ultramarine blue diluted with water for the siding.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·ink outlining
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the washes, leading to muddy colors.
  • →Making the ink outlines too heavy or uniform.
  • →Not allowing the washes to dry completely before adding details.
  • →Failing to vary the colors and tones of the foliage.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round watercolor brushes (various sizes)
  • ·fine-tipped black ink pen
  • ·pencil
  • ·eraser
  • ·water container
  • ·palette

optional

  • ·masking fluid
  • ·ruler
  • ·kneaded eraser

Use good quality watercolor paper to prevent buckling. A waterproof ink pen is essential for the outlines.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov