apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Supper at Emmaus
Supper at Emmaus by D. Jeffrey Mims

plate no. 5405

Supper at Emmaus

D. Jeffrey Mims

oilContemporary Realismreligious paintingfigurestablecolumnsarchitecturereligiousinterior
some experience helpful

Recreating this painting will help students develop skills in figure drawing, composition, and rendering light and shadow on drapery. It also provides practice in creating depth through atmospheric perspective and linear perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and architectural elements.

  2. step 02

    Refine the sketch, paying close attention to proportions and anatomical accuracy of the figures.

  3. step 03

    Block in the main color masses, focusing on the overall value structure of the painting.

  4. step 04

    Develop the background elements, such as the sky and distant landscape, using soft, blended brushstrokes.

  5. step 05

    Refine the figures, adding details to the faces, hands, and clothing.

  6. step 06

    Work on the architectural elements, such as the columns and floor, paying attention to perspective and detail.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red light

Achieve skin tones by mixing raw umber, burnt sienna, and titanium white, with small amounts of cadmium red light for warmth. Use ultramarine blue and white for the sky, and yellow ochre with burnt sienna for the columns.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective
  • ·linear perspective
  • ·glazing

common pitfalls

  • →Incorrect proportions of figures
  • →flat or lifeless drapery
  • →lack of depth in the background
  • →inaccurate perspective
  • →overworking details

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Fifth Ave

Fifth Ave

Pietropoli Patrick

July

July

Fairfield Porter

Tresco

Tresco

John Miller

Pope John Paul II

Pope John Paul II

Nelson Shanks

Dog and Groom

Dog and Groom

Alex Colville

Beach with Palm

Beach with Palm

John Miller

Au Wihlering II

Au Wihlering II

Gazmend Freitag

Dan Cowan

Dan Cowan

Richard Whitney