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Sunset by Edward Mitchell Bannister

plate no. 4465

Sunset

Edward Mitchell Bannister, 1880

oilTonalismlandscapelandscapesunsettreeswaterskyreflection
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and blending techniques to create a sense of depth and mood. It also provides practice in capturing light and shadow in a landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major elements like trees and water.

  2. step 02

    Establish the overall warm tone of the painting with a thin wash of yellow ochre and burnt sienna.

  3. step 03

    Block in the dark masses of the trees and foliage using a mix of burnt umber and ultramarine blue.

  4. step 04

    Begin to build up the sky with layers of yellow ochre, white, and touches of red, blending the colors softly.

  5. step 05

    Add highlights to the trees and foliage using lighter shades of green and yellow.

  6. step 06

    Paint the water, reflecting the colors of the sky and surrounding landscape.

  7. step 07

    Add details such as grasses and small reflections in the water.

  8. step 08

    Refine the overall painting, paying attention to the atmospheric perspective and the subtle variations in color and value.

color palette

primary · yellow ochre · burnt sienna · burnt umber

secondary · ultramarine blue · titanium white · cadmium yellow

Achieve the warm, muted tones by mixing the primary colors with white and small amounts of blue. Use glazes of thinned paint to create depth and luminosity.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the painting and losing the loose, expressive brushstrokes.
  • →Creating too much contrast and losing the subtle gradations of tone.
  • →Neglecting the atmospheric perspective, which is crucial for creating depth.
  • →Using colors straight from the tube without mixing them to achieve the desired muted tones.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (yellow ochre, burnt sienna, burnt umber, ultramarine blue, titanium white)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use a canvas with a medium texture to allow for expressive brushstrokes. Consider using a toned canvas to establish the warm undertones.

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oil painting for beginners →how to learn by studying the masters →
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