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home·artworks·Sunrise, Christiansø
Sunrise, Christiansø by Edvard Weie

plate no. 8986

Sunrise, Christiansø

Edvard Weie, 1915

oilPost-Impressionismlandscapelandscapetreespathseaskyvegetation
some experience helpful

Recreating this painting will help students develop skills in applying expressive brushstrokes and mixing greens to create depth and variation in foliage. It also provides practice in capturing the effect of light on a path.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, indicating the path, horizon line, and major tree masses.

  2. step 02

    Block in the sky and sea with thin washes of color.

  3. step 03

    Establish the darkest values in the trees and foliage using dark greens and blues.

  4. step 04

    Begin layering lighter greens and yellows onto the foliage, using short, broken brushstrokes.

  5. step 05

    Paint the path using a mix of white, blue, and pink, varying the tones to suggest light and shadow.

  6. step 06

    Add details to the foliage, such as individual leaves and branches, using a smaller brush.

  7. step 07

    Refine the edges of the trees and path to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights to the foliage and path to capture the effect of sunlight.

color palette

primary · viridian green · titanium white · ultramarine blue

secondary · lemon yellow · cadmium yellow · rose madder

Mix greens by combining blues and yellows, adding white to lighten and create variations. Use rose madder to create the pink tones in the path.

techniques

  • ·broken color
  • ·impasto
  • ·color mixing
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the foliage, resulting in a flat, uniform appearance.
  • →Failing to create enough contrast between light and shadow.
  • →Using too much white, which can make the colors appear chalky.
  • →Not varying the brushstrokes enough, leading to a monotonous texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time of the oil paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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