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home·artworks·Sunday Afternoon
Sunday Afternoon by Joseph Lorusso

plate no. 8696

Sunday Afternoon

Joseph Lorusso

oilContemporary Realismgenre paintingfigurescouchpillowsbooksinteriorsleeping
some experience helpful

This painting provides an opportunity to practice rendering skin tones and fabric textures with soft blending. Students can also learn about creating depth and form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to proportions and placement.

  2. step 02

    Establish the dark and light areas with a thin wash of burnt umber or a similar neutral tone.

  3. step 03

    Block in the main colors of the background, couch, and figures.

  4. step 04

    Begin layering and blending the skin tones, focusing on subtle value changes to create form.

  5. step 05

    Develop the fabric textures of the couch and pillows, using dry brush techniques for highlights.

  6. step 06

    Add details to the faces, hands, and clothing, refining the shapes and values.

  7. step 07

    Paint the books and other objects in the background, paying attention to their relative values.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · cadmium red · ivory black

Mix skin tones using white, yellow ochre, and a touch of red or burnt umber. Achieve darker values by adding small amounts of black or burnt umber to the primary colors.

techniques

  • ·blending
  • ·layering
  • ·dry brushing
  • ·value control
  • ·color mixing

common pitfalls

  • →Overblending, resulting in a flat or lifeless appearance.
  • →Ignoring subtle value changes, leading to a lack of form.
  • →Using too much black, making the colors appear muddy.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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