apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sun and Wind on the Roof
Sun and Wind on the Roof by John French Sloan

plate no. 5630

Sun and Wind on the Roof

John French Sloan, 1915

oil, canvasNew Realismgenre paintingfigurelaundryrooftopbuildingsskyurban scene
some experience helpful

Recreating this painting will help students develop skills in depicting figures in sunlight and understanding how light affects color. It also provides practice in creating atmospheric perspective and capturing the texture of different materials.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, buildings, and laundry line.

  2. step 02

    Establish the main light and shadow areas with a thin wash of color.

  3. step 03

    Block in the large shapes of the buildings and the sky, paying attention to color temperature.

  4. step 04

    Begin to define the figure, focusing on the drapery and the way light falls on the dress.

  5. step 05

    Add the laundry, using broken brushstrokes to suggest movement and texture.

  6. step 06

    Refine the details of the buildings and the rooftop, adding windows and other architectural elements.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to the figure and laundry.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ultramarine blue · alizarin crimson · raw sienna

Mix various shades of white with yellow ochre and a touch of burnt umber to create the sunlit areas. Use ultramarine blue and burnt umber to create the shadows in the buildings and laundry. Add alizarin crimson to the red for warmer tones.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·drapery study

common pitfalls

  • →Overblending the colors, resulting in a flat, lifeless appearance.
  • →Ignoring the effect of light on color, leading to unrealistic values.
  • →Getting lost in the details and losing sight of the overall composition.
  • →Incorrect proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a toned canvas to help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Delta Farms

Delta Farms

Wayne Thiebaud

House by the Railroad

House by the Railroad

Edward Hopper

The Mansard Roof

The Mansard Roof

Edward Hopper

Spring Planting, Greenwich Village

Spring Planting, Greenwich Village

John French Sloan

Renganeschi's Saturday Night

Renganeschi's Saturday Night

John French Sloan

Fishing Port, Gloucester

Fishing Port, Gloucester

John French Sloan

American Landscape

American Landscape

Charles Sheeler

Grain Elevators

Grain Elevators

Charles E. Burchfield