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home·artworks·Summertime
Summertime by Edward Hopper

plate no. 4895

Summertime

Edward Hopper, 1943

oil, canvasNew Realismgenre paintingbuildingfigurecolumnsstepswindowshadows
some experience helpful

Recreating this painting will help students understand how to depict light and shadow on architectural forms and how to create a sense of depth using color temperature and value changes. It also provides practice in rendering a figure within an architectural setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 7 steps

  1. step 01

    Sketch the basic shapes and proportions of the building, figure, and steps, paying attention to perspective.

  2. step 02

    Establish the main light and shadow areas with thin washes of color.

  3. step 03

    Block in the large areas of color for the building facade, figure's dress, and the dark doorway.

  4. step 04

    Refine the details of the architectural elements, such as the columns and window frames, using precise brushstrokes.

  5. step 05

    Develop the figure's form and features, paying attention to the subtle shifts in value and color.

  6. step 06

    Add the cast shadows, carefully observing their shapes and values.

  7. step 07

    Adjust the overall color harmony and refine the details until the painting feels balanced and complete.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt sienna · cadmium red light · ivory black

Mix various shades of white with blue and yellow ochre to achieve the cool, muted tones of the building. Use burnt sienna and cadmium red for the figure's skin tones and the warm accents in the doorway.

techniques

  • ·color mixing
  • ·value studies
  • ·linear perspective
  • ·blocking in
  • ·glazing

common pitfalls

  • →Incorrect proportions in the architectural elements
  • →Overly bright or saturated colors
  • →Ignoring the subtle value shifts in the shadows
  • →Rushing the initial sketch and blocking-in stages

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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