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home·artworks·Summer Days, Camden Maine, the Bellows Family
Summer Days, Camden Maine, the Bellows Family by Leon Kroll

plate no. 2147

Summer Days, Camden Maine, the Bellows Family

Leon Kroll, 1916

oil, canvasPost-Impressionismlandscapetreeshousefigureslandscapefoliagelawn
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and capturing the effects of light filtering through trees. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the composition: the house, trees, and figures.

  2. step 02

    Block in the main color areas: sky, foliage, grass, and the house's walls.

  3. step 03

    Establish the darkest darks and lightest lights to create a sense of depth.

  4. step 04

    Begin layering greens and yellows to create the dappled light effect in the foliage and grass.

  5. step 05

    Add details to the house, such as windows and architectural features.

  6. step 06

    Refine the figures, paying attention to their poses and clothing.

  7. step 07

    Add final highlights and shadows to enhance the three-dimensionality of the scene.

  8. step 08

    Review and adjust colors and values as needed to achieve a harmonious overall effect.

color palette

primary · viridian green · yellow ochre · titanium white · burnt umber

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Mix greens by combining viridian green, yellow ochre, and a touch of ultramarine blue. Use white to lighten colors and create highlights. Mix browns by combining burnt umber with small amounts of alizarin crimson and ultramarine blue.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Creating muddy colors by over-mixing
  • →Ignoring the effects of light and shadow
  • →Failing to establish a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-textured canvas to allow for better paint adhesion and brushwork. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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