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Summer by Thomas Dewing

plate no. 0792

Summer

Thomas Dewing, 1893

oilTonalismgenre paintingfigureslandscapetreesfieldskydress
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and subtle color blending to create a sense of depth and mood. It also provides practice in painting figures in a landscape with a focus on capturing their form and gesture with minimal detail.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the horizon line, the large mass of trees, and the placement of the figures.

  2. step 02

    Block in the sky with a light blue, blending it softly towards the horizon.

  3. step 03

    Establish the base color for the trees and field using a mid-tone green.

  4. step 04

    Begin layering darker and lighter greens to create depth and texture in the trees and field.

  5. step 05

    Mix a neutral color for the figures' dresses, and loosely paint in their forms, paying attention to the light and shadow.

  6. step 06

    Add subtle details to the figures, such as the suggestion of facial features and folds in the fabric.

  7. step 07

    Soften the edges of the figures and blend them into the background to create an atmospheric effect.

  8. step 08

    Add final highlights and shadows to enhance the sense of light and depth.

color palette

primary · viridian green · cerulean blue · titanium white

secondary · raw umber · yellow ochre

Achieve the subtle greens by mixing viridian green with white and touches of yellow ochre or raw umber. The sky is a blend of cerulean blue and white, with more white added towards the horizon.

techniques

  • ·atmospheric perspective
  • ·soft blending
  • ·scumbling
  • ·limited palette
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too saturated and bright.
  • →Creating hard edges that detract from the soft, dreamy quality.
  • →Failing to establish a clear sense of depth and distance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·viridian green oil paint
  • ·cerulean blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·soft bristle brushes

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a smooth canvas to facilitate blending. Consider using a medium to improve the flow of the paint.

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