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home·artworks·Study, St. Malo. No 11
Study, St. Malo. No 11 by Maurice Prendergast

plate no. 0986

Study, St. Malo. No 11

Maurice Prendergast, 1907

oil, panelPost-Impressionismlandscapebeachseaskycloudsfiguresboats
some experience helpful

Recreating this painting will help students develop skills in broken color techniques and capturing light and atmosphere with short, expressive brushstrokes. It also encourages simplifying complex scenes into basic shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition: horizon line, landmass, and placement of major elements like boats and beach huts.

  2. step 02

    Block in the sky with broad strokes of light blue, white, and yellow, focusing on the cloud shapes.

  3. step 03

    Establish the water using various blues and greens, layering colors to create depth.

  4. step 04

    Paint the distant landmass with a mix of yellows, oranges, and browns, suggesting form with color variations.

  5. step 05

    Block in the beach area with browns, tans, and greens, creating a base for the beach huts and figures.

  6. step 06

    Add the beach huts using simplified shapes and a variety of colors, paying attention to their placement and scale.

  7. step 07

    Indicate the figures with small dabs of color, suggesting their presence without detailed rendering.

  8. step 08

    Add final details like boats and reflections, and adjust colors and values as needed to unify the painting.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt sienna · viridian green · cadmium red light

Mix greens by combining blue and yellow. Achieve muted tones by mixing complementary colors (e.g., blue and orange). Use white to lighten colors and create variations in value.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color layering
  • ·alla prima

common pitfalls

  • →overworking the painting
  • →muddying the colors
  • →losing the overall composition
  • →focusing too much on details too early
  • →not varying brushstrokes

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·#6 flat brush
  • ·#2 round brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·easel
  • ·painting medium

Use a limited palette to encourage color mixing and harmony. Consider using a medium to improve the flow of the paint.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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