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home·artworks·Study for The Foolish Old Man
Study  for The Foolish Old Man by Xu Beihong

plate no. 2832

Study for The Foolish Old Man

Xu Beihong, 1940

oilPost-Impressionismsketch and studyfigureselephantbamboolandscapevillagechildren
experienced study

Recreating this painting will help students develop skills in figure drawing, capturing dynamic poses, and using a limited palette to create a sense of depth and atmosphere. It also encourages the study of anatomy and the use of expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and the elephant, paying attention to proportions and placement.

  2. step 02

    Block in the background elements like the bamboo forest with diluted washes.

  3. step 03

    Begin adding layers of color to the figures, starting with the darkest values and gradually building up to the highlights.

  4. step 04

    Focus on capturing the anatomical details and muscle structure of the figures.

  5. step 05

    Use short, expressive brushstrokes to create texture and movement in the clothing and foliage.

  6. step 06

    Pay attention to the lighting and shadows to create a sense of depth and volume.

  7. step 07

    Add the details of the baskets and other objects, using a finer brush.

  8. step 08

    Refine the overall composition and make any necessary adjustments.

color palette

primary · ivory black · burnt sienna · raw umber

secondary · cadmium red light · yellow ochre

Mix ivory black with burnt sienna and raw umber to create a range of neutral tones for the figures and background. Use small amounts of cadmium red and yellow ochre to add warmth to the skin tones.

techniques

  • ·figure drawing
  • ·wash technique
  • ·dry brushing
  • ·anatomical study
  • ·limited palette

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much color and creating a muddy effect.
  • →Ignoring the importance of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·retouch varnish

Use a medium-grain canvas for best results. Thin the oil paints with linseed oil to create a smooth, flowing consistency.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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