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Strike by Grace Cossington Smith

plate no. 2123

Strike

Grace Cossington Smith, 1917

oilPost-Impressionismgenre paintingfiguresfactoryskyfieldbuildingsprotest
some experience helpful

Recreating this painting will help students develop skills in layering paint with visible brushstrokes and understanding how to create form with color variations rather than precise lines. It also encourages simplification of complex subjects into basic shapes and color blocks.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the figures and the factory in the background.

  2. step 02

    Block in the sky with a thin wash of pale yellow and white, allowing some of the canvas to show through.

  3. step 03

    Establish the ground plane with a mix of ochre, pink, and green, using short, broken brushstrokes.

  4. step 04

    Begin to define the figures with broad strokes of color, focusing on capturing the overall shapes and proportions.

  5. step 05

    Add details to the figures, such as clothing and facial features, using smaller brushstrokes and varying the color palette.

  6. step 06

    Paint the factory buildings in the background with simple shapes and muted colors.

  7. step 07

    Refine the composition by adjusting the colors and values, adding highlights and shadows to create depth.

  8. step 08

    Add the dark border to frame the painting.

color palette

primary · yellow ochre · titanium white · raw umber

secondary · cadmium red · viridian green · ultramarine blue

Achieve the earthy tones by mixing yellow ochre, raw umber, and small amounts of red and green. The pinks are created by mixing white with a touch of red. Use blue and umber to create the grays for the figures' clothing.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating mud by overmixing colors on the palette.
  • →Failing to establish a clear value structure, resulting in a flat image.
  • →Not simplifying the forms enough, leading to a cluttered composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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