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home·artworks·Street Vendor, Ahmedabad
Street Vendor, Ahmedabad by Edwin Lord Weeks

plate no. 8953

Street Vendor, Ahmedabad

Edwin Lord Weeks, 1885

oil, canvasOrientalismgenre paintingfigureshorsemarketarchitecturestreet scenetextiles
some experience helpful

Recreating this painting will help students develop skills in rendering figures and animals in a complex environment, as well as understanding how to depict light and shadow to create depth and form. It also provides practice in capturing intricate architectural details and textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and proportions of the figures, horse, and architectural elements.

  2. step 02

    Block in the main shapes and areas of color using thin washes of paint.

  3. step 03

    Establish the light source and begin to build up the values, focusing on the areas of highlight and shadow.

  4. step 04

    Develop the details of the figures, paying attention to the anatomy and clothing.

  5. step 05

    Work on the details of the horse, capturing its form and texture.

  6. step 06

    Add the architectural details, focusing on the intricate carvings and textures.

  7. step 07

    Refine the colors and values, adding subtle variations and highlights.

  8. step 08

    Add final details and adjust the overall composition as needed.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · viridian · ultramarine blue · raw sienna

Achieve the warm, earthy tones by mixing burnt umber, yellow ochre, and titanium white. Use cadmium red for the figures' clothing and textiles. Mix viridian and ultramarine blue for cooler shadows and greens.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition and values.
  • →Failing to accurately capture the proportions of the figures and horse.
  • →Overworking the painting and losing the freshness of the initial layers.
  • →Ignoring the importance of light and shadow in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, titanium white, cadmium red, viridian, ultramarine blue, raw sienna)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color palette.

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oil painting for beginners →how to learn by studying the masters →
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