apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Street Scene near the El Ghouri Mosque in Cairo (detail)
Street Scene near the El Ghouri Mosque in Cairo (detail) by John Frederick Lewis

plate no. 6665

Street Scene near the El Ghouri Mosque in Cairo (detail)

John Frederick Lewis, 1875

oilOrientalismgenre paintingfiguresmarketclothingarchitecturefabricvases
experienced study

Recreating this painting will help students develop skills in rendering figures with complex drapery and capturing the atmosphere of a bustling market scene. It's also a good exercise in color mixing to achieve realistic skin tones and fabric textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background architecture and fabrics.

  3. step 03

    Establish the basic skin tones and clothing colors for the figures.

  4. step 04

    Develop the drapery folds and shadows on the clothing, paying attention to light direction.

  5. step 05

    Add details to the faces and hands, refining the expressions and gestures.

  6. step 06

    Introduce subtle color variations and highlights to create depth and realism.

  7. step 07

    Paint the details of the vases and other objects in the foreground.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the atmosphere.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · viridian green · raw sienna

Mix various shades of brown and ochre for the buildings and ground. Use white to create tints for the clothing and skin tones. Combine blue and yellow to achieve the green hues in the fabrics.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·drapery study

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source and consistent shadows.
  • →Using colors straight from the tube without mixing.
  • →Losing the overall composition by focusing too much on individual figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, titanium white, cadmium red, ultramarine blue, viridian green, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

Hermann David Salomon Corrodi

Young Rider With A Rifle

Young Rider With A Rifle

Nasreddine Dinet

The Harem Dance

The Harem Dance

Giulio Rosati

The arms merchant

The arms merchant

Gustavo Simoni

Oriental woman

Oriental woman

Jean-François Portaels

A Bedouin Encampment

A Bedouin Encampment

Eugène Girardet

The sphinx of Geezah

The sphinx of Geezah

Carl Haag

A Chinesa

A Chinesa

Anita Malfatti