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home·artworks·Street Scene near the El Ghouri Mosque in Cairo
Street Scene near the El Ghouri Mosque in Cairo by John Frederick Lewis

plate no. 7731

Street Scene near the El Ghouri Mosque in Cairo

John Frederick Lewis, 1875

oilOrientalismgenre paintingstreet scenefiguresarchitecturemarketMiddle Eastdonkeys
experienced study

Recreating this painting will help students develop skills in rendering complex scenes with many figures and architectural details, as well as understanding atmospheric perspective and color harmony in a warm palette.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of major figures and buildings.

  2. step 02

    Establish the overall color scheme by applying a thin wash of warm earth tones.

  3. step 03

    Block in the main shapes of the buildings, paying attention to the striped patterns and architectural details.

  4. step 04

    Begin adding details to the figures, starting with the larger ones in the foreground.

  5. step 05

    Develop the middle ground with figures and animals, using smaller brushstrokes and less detail.

  6. step 06

    Create atmospheric perspective by softening edges and reducing contrast in the background.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine details and adjust colors to achieve a cohesive and harmonious final result.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · raw sienna · ivory black

Achieve the warm, earthy tones by mixing burnt umber, yellow ochre, and a touch of cadmium red. Use ultramarine blue to create cooler shadows and to mix muted greens and grays.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting lost in the details too early; focus on the overall composition first.
  • →Overworking the painting; maintain a sense of spontaneity and freshness.
  • →Failing to create a sense of depth; pay attention to atmospheric perspective and value contrast.
  • →Inaccurate proportions of figures and buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a medium texture to allow for both detailed work and expressive brushstrokes.

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oil painting for beginners →how to learn by studying the masters →
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