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home·artworks·Street in Montmartre
Street in Montmartre by Maurice Utrillo

plate no. 5429

Street in Montmartre

Maurice Utrillo

oil, panelPost-Impressionismcityscapebuildingsstreettreesfiguresskycityscape
some experience helpful

This painting is great for practicing loose, expressive brushwork and capturing the essence of a scene rather than precise details. Students will learn to simplify shapes and use color to create depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and trees, focusing on proportions and composition.

  2. step 02

    Block in the main colors of the sky, buildings, and ground with thin washes.

  3. step 03

    Add darker values to define shadows and create depth.

  4. step 04

    Apply thicker paint with visible brushstrokes to build texture and detail.

  5. step 05

    Mix and apply the greens of the trees, varying the shades to suggest light and shadow.

  6. step 06

    Add details like windows, doors, and figures with small brushstrokes.

  7. step 07

    Refine the edges and add highlights to create a sense of light and atmosphere.

  8. step 08

    Add final details and adjust colors as needed.

color palette

primary · titanium white · yellow ochre · burnt sienna · ultramarine blue

secondary · cadmium yellow light · cadmium red light · viridian green

Mix various shades of white with yellow ochre and burnt sienna to achieve the building colors. Use ultramarine blue and white for the sky. Mix greens from yellow and blue.

techniques

  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the loose, expressive feel.
  • →Using too much detail in the background.
  • →Not varying the brushstrokes enough.
  • →Getting the proportions of the buildings wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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