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home·artworks·Street in a Provincial Town
Street in a Provincial Town by Abraham Manievich

plate no. 4267

Street in a Provincial Town

Abraham Manievich, 1915

oilPost-Impressionismcityscapebuildingstreesstreethousesshadowscityscape
some experience helpful

Recreating this painting will help students develop skills in applying broken color and capturing the effects of light and shadow with bold brushstrokes. It's also a good exercise in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, trees, and the basic street layout.

  2. step 02

    Establish the darkest shadow areas with a thin wash of burnt umber or a similar dark brown.

  3. step 03

    Block in the main color areas for the buildings, using a mix of white, ochre, and a touch of red.

  4. step 04

    Apply the orange/brown tones to the foreground and tree trunks, varying the intensity.

  5. step 05

    Use short, broken brushstrokes to build up the texture and color variations in the buildings and ground.

  6. step 06

    Add highlights to the buildings and trees using lighter shades of white and yellow.

  7. step 07

    Refine the details of the windows, doors, and tree branches.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and atmosphere.

color palette

primary · titanium white · yellow ochre · burnt sienna · raw umber

secondary · cadmium red · ultramarine blue

Mix white with ochre and a touch of red to create the building's off-white color. Use burnt sienna and raw umber for the browns, adding red for warmer tones and blue for cooler shadows. A touch of blue with white can create the sky peeking through the trees.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima
  • ·layering

common pitfalls

  • →Over-blending the colors, which will flatten the image.
  • →Making the shadows too dark and losing detail.
  • →Getting bogged down in details too early.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·cadmium red oil paint
  • ·round brushes (#2, #6, #8)
  • ·palette knife

optional

  • ·linseed oil
  • ·turpentine
  • ·palette

Use a medium-textured canvas to help the paint grip and create texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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