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Stream of people by Pellizza da Volpedo

plate no. 3735

Stream of people

Pellizza da Volpedo, 1896

oil, canvasSocial Realismsketch and studyfigurescrowdstreetbuildingsskylandscape
some experience helpful

Recreating this painting will help students develop skills in depicting crowds, understanding atmospheric perspective, and creating a sense of movement and depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values of the background buildings and sky.

  3. step 03

    Establish the ground plane with a light, neutral tone.

  4. step 04

    Start adding the figures, focusing on their general shapes and proportions.

  5. step 05

    Gradually refine the details of the figures in the foreground, adding more definition to their clothing and faces.

  6. step 06

    Use subtle value changes to create a sense of depth and atmosphere.

  7. step 07

    Add shadows to ground the figures and create a sense of light.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and harmonious composition.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red

Mix burnt umber and white for the base skin tones, adding small amounts of red or yellow for warmth. Use ultramarine blue and white for the sky, and mix various earth tones for the clothing and buildings.

techniques

  • ·atmospheric perspective
  • ·grisaille underpainting
  • ·scumbling
  • ·limited palette
  • ·figure drawing

common pitfalls

  • →Overworking the details of individual figures, losing the overall sense of unity.
  • →Creating too much contrast, resulting in a harsh and unnatural look.
  • →Failing to establish a clear focal point.
  • →Incorrect proportions of figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the overall value range.

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oil painting for beginners →how to learn by studying the masters →
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