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home·artworks·Storm Clouds, Maine
Storm Clouds, Maine by Marsden Hartley

plate no. 2531

Storm Clouds, Maine

Marsden Hartley, 1906

oilPointillismlandscapecloudslandscapetreesskymountainslight
some experience helpful

Recreating this painting will help students develop skills in pointillism and layering colors to create depth and texture. It also provides practice in capturing atmospheric effects and light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the clouds and mountain.

  2. step 02

    Establish the darkest values in the sky and the shadows on the mountain using a dark blue or indigo.

  3. step 03

    Begin layering dots of color in the sky, using varying shades of blue, green, and white to create the cloud formations.

  4. step 04

    Apply dots of color to the mountain and foreground, using a base of dark blue and adding greens, browns, and yellows to represent the trees and vegetation.

  5. step 05

    Create the areas of light in the foreground by applying dots of yellow, orange, and light brown.

  6. step 06

    Refine the details in the clouds and the foreground, adding highlights and shadows to create depth and dimension.

  7. step 07

    Step back and assess the overall balance of the painting, making any necessary adjustments to the colors and values.

  8. step 08

    Allow the painting to dry completely and apply a varnish to protect the surface.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · viridian green · burnt sienna

Mix blues and whites for the sky, adding touches of green for cloud shadows. Use yellow ochre and burnt sienna for the light areas in the foreground, and mix blues and greens for the mountain.

techniques

  • ·pointillism
  • ·layering
  • ·color mixing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overmixing colors, which can result in muddy tones.
  • →Applying dots too uniformly, which can create a flat and lifeless effect.
  • →Ignoring the importance of value contrast, which can make the painting lack depth.
  • →Not allowing enough drying time between layers, which can cause colors to blend together.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (for cleaning brushes)
  • ·rags

optional

  • ·easel
  • ·palette paper
  • ·painting medium

Use high-quality paints for best results. Experiment with different brush sizes to achieve varying dot sizes.

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