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home·artworks·Still Life with Plate and Apples
Still Life with Plate and Apples by Harry Phelan Gibb

plate no. 9993

Still Life with Plate and Apples

Harry Phelan Gibb

oilPost-Impressionismstill lifestill lifeplateappleslemonfruittable
some experience helpful

Recreating this painting will help students practice layering colors to create depth and form, and also develop skills in capturing the subtle variations in light and shadow on different surfaces.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the placement of the plate and fruit.

  2. step 02

    Block in the background and tabletop with thin washes of color.

  3. step 03

    Establish the basic colors of the plate, apples, and lemon, focusing on the overall tones.

  4. step 04

    Begin layering colors on the fruit to create form and volume, using darker tones for shadows and lighter tones for highlights.

  5. step 05

    Add details to the plate, including the floral pattern and the subtle variations in color.

  6. step 06

    Refine the background and tabletop, adding details and textures as needed.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and harmony.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · cerulean blue · yellow ochre · burnt sienna

Mix raw umber and white for the base tones of the background and tabletop. Use cadmium red light mixed with yellow ochre and a touch of blue for the apples. Mix yellow ochre with a touch of white and green for the lemon.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·color mixing
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle variations in color and tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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