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home·artworks·Still Life with Lemons
Still Life with Lemons by Moise Kisling

plate no. 3308

Still Life with Lemons

Moise Kisling, 1917

oil, canvasPost-Impressionismstill lifestill lifefruitpitchertableclothcurtainplate
some experience helpful

Recreating this painting will help students practice color mixing to achieve subtle variations in light and shadow, as well as develop skills in rendering form with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on proportions and placement.

  2. step 02

    Block in the main color areas for the background, tablecloth, pitcher, and fruit.

  3. step 03

    Begin layering colors to define the forms of the pitcher and fruit, paying attention to highlights and shadows.

  4. step 04

    Add details to the tablecloth, including the stripes and fringe.

  5. step 05

    Refine the background, adding depth and texture with visible brushstrokes.

  6. step 06

    Paint the fruit and leaves on the plate, focusing on color variations and highlights.

  7. step 07

    Add the dark berries, paying attention to their placement and form.

  8. step 08

    Make final adjustments to values and details to create a cohesive and balanced composition.

color palette

primary · titanium white · cadmium yellow · cadmium red · ultramarine blue

secondary · burnt umber · viridian green · ivory black

Mix white with small amounts of yellow, red, and blue to create the off-white color of the pitcher. Use red and yellow to create the orange tones of the fruit, and blue and yellow for the greens of the leaves. Burnt umber and black are used for shadows and details.

techniques

  • ·dry brush texture
  • ·color layering
  • ·broken color
  • ·scumbling
  • ·impasto

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting lost in details too early.
  • →Ignoring the overall composition and balance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cadmium yellow oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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