apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still Life With Fruit
Still Life With Fruit by Henri Catargi

plate no. 0595

Still Life With Fruit

Henri Catargi, 1965

oilPost-Impressionismstill lifestill lifefruitgrapesappletablebowl
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and practice layering brushstrokes to create texture and depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas.

  2. step 02

    Block in the background with a thin layer of muted green and brown.

  3. step 03

    Establish the main shapes of the table and fruit bowl with diluted paint.

  4. step 04

    Begin layering colors on the table, mixing reds and browns to achieve the desired tone.

  5. step 05

    Paint the fruit, focusing on capturing the highlights and shadows to create form.

  6. step 06

    Add details to the fruit bowl, using short, broken brushstrokes to suggest texture.

  7. step 07

    Refine the background and adjust the values to create depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt sienna · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · cadmium yellow light · sap green · alizarin crimson

Mix burnt sienna and raw umber with white to create the base for the table. Use ultramarine blue and white to create the blue of the bowl. Mute colors by adding small amounts of complementary colors.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors straight from the tube without mixing and muting them.
  • →Neglecting the importance of value in creating form.
  • →Failing to create a sense of depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov