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home·artworks·Still Life with Fruit and Vegetables
Still Life with Fruit and Vegetables by Thomas Hart Benton

plate no. 0780

Still Life with Fruit and Vegetables

Thomas Hart Benton, 1914

oilPost-Impressionismstill lifefruitvegetablesbookbowlstill lifetablecloth
some experience helpful

Recreating this painting will help students develop skills in color mixing, creating form with value, and capturing textures with visible brushstrokes. It's a good exercise in simplifying complex shapes and understanding the relationship between objects in a still life.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the objects (book, bowl, fruit, etc.)

  2. step 02

    Establish the background color and the general tone of the tablecloth.

  3. step 03

    Block in the main colors of each object, focusing on the overall value and hue.

  4. step 04

    Begin to refine the shapes and add details, paying attention to the light and shadow.

  5. step 05

    Mix and apply colors to create the form of the fruit and vegetables, using short, visible brushstrokes.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details of the book and bowl, paying attention to their textures.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and balanced composition.

color palette

primary · red · green · white · brown

secondary · yellow · orange · grey

Achieve the muted tones by mixing complementary colors (red and green, blue and orange). Use white to lighten colors and create highlights. Brown can be created by mixing red, yellow, and blue.

techniques

  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·visible brushstrokes
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Not paying attention to the values and creating a flat, uninteresting composition.
  • →Using colors straight from the tube without mixing them to create subtle variations.
  • →Ignoring the relationships between the objects and creating a disjointed composition.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (red, green, white, brown, yellow, orange)
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·Retouch varnish
  • ·Easel
  • ·Medium gloss

Use a limited palette to simplify color mixing. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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