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home·artworks·Still life with flowers
Still life with flowers by Jan Sluyters

plate no. 5832

Still life with flowers

Jan Sluyters

oilPost-Impressionismstill lifeflowerstulipsstill lifewindowwintersnow
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and capturing light and shadow with color variations. It's a good exercise in simplifying complex scenes into basic shapes and colors.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: the window frame, the vase, the tulips, and the landscape outside.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Block in the dominant colors of the background landscape, focusing on the snow and bare trees.

  4. step 04

    Begin building up the colors of the vase and tulips, using short, expressive brushstrokes.

  5. step 05

    Add details to the window frame, capturing the texture and color variations.

  6. step 06

    Refine the shapes and colors of the tulips, paying attention to the highlights and shadows.

  7. step 07

    Add final details and highlights to the entire painting, unifying the composition.

  8. step 08

    Step back and make any necessary adjustments to the overall balance and harmony.

color palette

primary · titanium white · ultramarine blue · alizarin crimson · yellow ochre

secondary · viridian green · burnt umber · cadmium yellow

Mix various shades of purple for the tulips by combining alizarin crimson and ultramarine blue, adjusting the ratio for different tones. Achieve the greens for the stems by mixing viridian green with yellow ochre and titanium white. Use white and yellow ochre to create the snowy landscape.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details, losing the freshness and spontaneity of the brushwork.
  • →Using colors straight from the tube without mixing, resulting in a flat and uninteresting palette.
  • →Failing to establish a strong value structure, leading to a muddy and unclear composition.
  • →Not simplifying the background enough, making it compete with the foreground.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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