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home·artworks·Still Life with Churn
Still Life with Churn by Paul Serusier

plate no. 1149

Still Life with Churn

Paul Serusier, 1925

oil, canvasPost-Impressionismstill lifestill lifechurnpitcherbowltablekitchenware
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and layering brushstrokes to create texture. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition of the still life, paying attention to proportions.

  2. step 02

    Block in the background with dark, muted tones.

  3. step 03

    Establish the base colors for each object: the red bowl, the wooden churn, the pitcher, etc.

  4. step 04

    Begin layering colors to create depth and form, focusing on highlights and shadows.

  5. step 05

    Add details to the objects, such as the patterns on the pitcher and the texture of the butter.

  6. step 06

    Refine the checkered pattern on the table, ensuring the perspective is consistent.

  7. step 07

    Add final details and highlights to enhance the overall composition.

  8. step 08

    Step back and assess the painting, making any necessary adjustments.

color palette

primary · red ochre · burnt umber · titanium white · Prussian blue

secondary · yellow ochre · ivory black

Achieve the muted tones by mixing complementary colors (e.g., red and green, blue and orange) with white. Use burnt umber and white for shadows and highlights.

techniques

  • ·dry brush texture
  • ·color layering
  • ·scumbling
  • ·blocking in
  • ·simplifying forms

common pitfalls

  • →Overworking the details too early
  • →Not establishing a strong value structure
  • →Using colors straight from the tube without mixing
  • →Incorrect proportions of the objects

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (red ochre, burnt umber, titanium white, Prussian blue, yellow ochre, ivory black)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish

Use a limited palette to simplify color mixing and create a harmonious painting. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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