apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still life with books and mandolin
Still life with books and mandolin by Antonio Sicurezza

plate no. 4985

Still life with books and mandolin

Antonio Sicurezza, 1957

oilPost-Impressionismstill lifebooksmandolinstill lifevasebrushestable
some experience helpful

Recreating this painting will help students develop skills in layering paint, creating texture with brushstrokes, and understanding color relationships in a complex still life. Students will also learn to depict the form and texture of various objects using oil paint.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition of the still life, paying attention to the placement of the objects.

  2. step 02

    Block in the main color areas for each object (books, mandolin, vase, background) with thin washes of color.

  3. step 03

    Begin layering paint to build up the form and volume of each object, focusing on the light and shadow.

  4. step 04

    Add details to the books, such as the titles and page edges, using smaller brushes.

  5. step 05

    Create texture on the mandolin and vase using visible brushstrokes.

  6. step 06

    Refine the background and add any final details to complete the painting.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the objects.

  8. step 08

    Check for overall balance and harmony in the composition.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · viridian · ultramarine blue · ivory black

Mix various shades of brown and ochre for the books, vase, and table. Use white to lighten colors and create highlights. Mix greens from blue and yellow.

techniques

  • ·layering
  • ·dry brush
  • ·color mixing
  • ·scumbling
  • ·impasto

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Not paying attention to the light and shadow, resulting in a flat image.
  • →Getting the proportions of the objects wrong.
  • →Using colors straight from the tube without mixing them.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (burnt umber, yellow ochre, titanium white, cadmium red, viridian, ultramarine blue, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a painting medium to improve the flow and blending of the oil paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov