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home·artworks·Still Life With Blue Vase
Still Life With Blue Vase by Józef Pankiewicz

plate no. 7130

Still Life With Blue Vase

Józef Pankiewicz, 1909

oil, canvasPost-Impressionismstill lifeflowersvasefruittableclothstill lifeplate
some experience helpful

Recreating this painting will help students develop skills in color mixing, layering, and capturing the essence of forms with expressive brushstrokes. It is also a good exercise in understanding how light and shadow define the shapes of objects.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition: vase, flowers, fruit, and tablecloth.

  2. step 02

    Block in the main color areas for each object, focusing on the overall color harmony.

  3. step 03

    Start building up layers of color, adding variations and subtle shifts in hue and value.

  4. step 04

    Define the shapes of the flowers and fruit with thicker, more expressive brushstrokes.

  5. step 05

    Work on the tablecloth, capturing its pattern and texture with broken color and varied brushwork.

  6. step 06

    Refine the details of the vase, paying attention to its form and highlights.

  7. step 07

    Add shadows and highlights to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and balanced composition.

color palette

primary · cerulean blue · cadmium red · cadmium yellow · titanium white

secondary · viridian green · ultramarine blue · yellow ochre

Achieve the blues of the vase by mixing cerulean blue with white and a touch of ultramarine. The reds of the flowers are created by mixing cadmium red with touches of yellow and white. Greens are achieved by mixing blues and yellows.

techniques

  • ·broken color
  • ·impasto
  • ·color layering
  • ·expressive brushwork
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the subtle color variations within each object.
  • →Ignoring the importance of light and shadow in defining form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to allow for expressive brushwork. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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