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home·artworks·Still Life with Apples
Still Life with Apples by David Burliuk

plate no. 8086

Still Life with Apples

David Burliuk

oilPost-Impressionismflower paintingflowersvaseapplesstill lifelandscapesky
some experience helpful

Recreating this painting will help students develop skills in impasto techniques and color mixing to achieve vibrant and textured surfaces. It also provides practice in capturing the form and light of various objects in a still life.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the vase, flowers, apples, and background elements.

  2. step 02

    Apply a thin underpainting of burnt umber or a similar earth tone to establish the composition's values.

  3. step 03

    Begin blocking in the main colors of the sky, water, and foreground using broad brushstrokes.

  4. step 04

    Start building up the texture and color of the flowers, vase, and apples with thick impasto strokes.

  5. step 05

    Mix and apply highlights and shadows to create depth and dimension in each element.

  6. step 06

    Add details to the flowers and vase, paying attention to the individual shapes and colors.

  7. step 07

    Refine the background, blending colors and adding texture to create a sense of atmosphere.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired effect.

color palette

primary · ultramarine blue · cadmium yellow · alizarin crimson

secondary · viridian green · burnt sienna · titanium white

Mix blues and whites for the sky and water, yellows and reds for the flowers and apples, and greens from blues and yellows for foliage. Use white to lighten colors and create highlights.

techniques

  • ·impasto
  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overblending colors, resulting in a muddy appearance.
  • →Neglecting the importance of value contrast in creating depth.
  • →Being too precise with details, losing the expressive quality of the brushstrokes.
  • →Not using enough paint to achieve the desired impasto effect.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. A textured canvas can enhance the impasto effect.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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