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home·artworks·Still life with apples and jug
Still life with apples and jug by Paul Serusier

plate no. 2735

Still life with apples and jug

Paul Serusier, 1912

oil, canvasPost-Impressionismstill lifeapplesjugstill lifetableclothfruitbowl
some experience helpful

Recreating this painting will help students develop skills in color mixing, layering, and creating form with visible brushstrokes. It also provides practice in observing and simplifying complex patterns.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the jug, bowl, and apples.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall color scheme.

  3. step 03

    Begin layering colors, building up the forms of the objects and the folds of the tablecloth.

  4. step 04

    Pay attention to the light and shadow on the apples and jug, using darker and lighter values to create depth.

  5. step 05

    Add details to the tablecloth pattern, simplifying the design and focusing on the overall effect.

  6. step 06

    Refine the edges of the objects, softening some and sharpening others to create visual interest.

  7. step 07

    Add final highlights and shadows to enhance the three-dimensionality of the still life.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the colors, values, and composition.

color palette

primary · yellow ochre · cadmium red · viridian green · burnt sienna

secondary · ultramarine blue · titanium white

Achieve the apple colors by mixing yellow ochre with touches of cadmium red and viridian green. Create the tablecloth colors by mixing red with burnt sienna and touches of green and blue.

techniques

  • ·broken color
  • ·scumbling
  • ·color layering
  • ·impasto
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Creating muddy colors by overmixing.
  • →Failing to simplify the complex patterns of the tablecloth.
  • →Ignoring the subtle color variations in the apples and jug.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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