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home·artworks·Still Life with Apples, a Pear and a Ceramic Portrait Jug
Still Life with Apples, a Pear and a Ceramic Portrait Jug by Paul Gauguin

plate no. 0893

Still Life with Apples, a Pear and a Ceramic Portrait Jug

Paul Gauguin, 1889

oil, panelPost-Impressionismstill lifeapplespearceramic jugstill lifefruittablecloth
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and understanding how to create form with visible brushstrokes. It also provides practice in arranging a still life composition and capturing the essence of the subject matter.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the bowl, fruit, and jug.

  2. step 02

    Establish the background colors and values, paying attention to the subtle variations in the wall and the paintings.

  3. step 03

    Block in the main colors of the fruit, using broad strokes to define their shapes.

  4. step 04

    Begin to refine the shapes and colors of the fruit, adding highlights and shadows to create form.

  5. step 05

    Paint the ceramic jug, focusing on capturing its texture and the way light reflects off its surface.

  6. step 06

    Add details to the tablecloth, using short, broken strokes to create a sense of texture.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a harmonious whole.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · red · yellow · blue · brown

secondary · green · white · ochre

Achieve the fruit colors by mixing reds, yellows, and browns with touches of green and white. Use blues and browns to create the dark tones of the jug. Mix white with other colors to create the lighter tones in the tablecloth and background.

techniques

  • ·broken color
  • ·impasto
  • ·color mixing
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle color variations in the fruit and background.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (red, yellow, blue, brown, green, white, ochre)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Retarder medium
  • ·Varnish

Use high-quality oil paints for best results. Consider using a medium to adjust the consistency of the paint.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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