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home·artworks·Still life with African pot
Still life with African pot by Irma Stern

plate no. 3509

Still life with African pot

Irma Stern, 1936

oilPost-Impressionismstill lifestill lifefishlemonspotterybottletablecloth
some experience helpful

Recreating this painting will help students develop skills in color mixing, particularly for achieving realistic skin tones and reflective surfaces, as well as practicing visible brushstrokes to create texture and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the still life, paying attention to proportions and placement.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall color scheme and value relationships.

  3. step 03

    Start building up layers of paint, focusing on the larger shapes and gradually adding details.

  4. step 04

    Mix colors on the palette to match the observed hues, paying attention to subtle variations in tone and temperature.

  5. step 05

    Use visible brushstrokes to create texture and form, following the contours of the objects.

  6. step 06

    Refine the details, such as the scales of the fish, the texture of the pottery, and the highlights on the lemons.

  7. step 07

    Add shadows and highlights to create depth and dimension.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

color palette

primary · yellow ochre · raw umber · titanium white · Prussian blue

secondary · cadmium yellow · alizarin crimson · viridian

Mix greens by blending blues and yellows, and create muted tones by adding small amounts of complementary colors. Achieve the silvery sheen of the fish by layering blues, greens, and whites.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color layering
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to accurately capture the proportions and shapes of the objects.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the subtle variations in tone and temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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