apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still Life with a Silver Goblet
Still Life with a Silver Goblet by Henri Manguin

plate no. 4241

Still Life with a Silver Goblet

Henri Manguin

oilPost-Impressionismstill lifestill lifefruitgoblettableclothapplespears
some experience helpful

Recreating this painting will help students develop skills in depicting form with subtle color variations and understanding the interplay of light and shadow on different surfaces. It also provides practice in capturing the texture of various objects using visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the placement of the objects.

  2. step 02

    Establish the background color with a thin wash of warm browns and ochres.

  3. step 03

    Block in the main colors of the tablecloth, using light blues and whites, and indicating the folds with darker shadows.

  4. step 04

    Paint the goblet using shades of blue and gray, capturing the highlights and reflections.

  5. step 05

    Begin painting the fruit, focusing on the local color and subtle variations in hue and value.

  6. step 06

    Add details to the background and objects, refining the shapes and adding highlights and shadows.

  7. step 07

    Use visible brushstrokes to create texture and add visual interest.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious composition.

color palette

primary · yellow ochre · cadmium red · ultramarine blue · titanium white

secondary · burnt umber · viridian green · raw sienna

Mix various shades of red and yellow to achieve the colors of the apples and pears. Use blue and white to create the silvery tones of the goblet. Mix browns and ochres for the background.

techniques

  • ·color mixing
  • ·layering
  • ·visible brushstrokes
  • ·blending
  • ·scumbling

common pitfalls

  • →Overblending the colors, resulting in a flat, lifeless appearance.
  • →Ignoring the subtle color variations within each object.
  • →Failing to capture the texture of the objects and the tablecloth.
  • →Getting the proportions of the objects wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Experiment with different brush sizes and shapes to achieve the desired texture.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov