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home·artworks·Still life named : The afternoon sun
Still life named : The afternoon sun by Panayiotis Tetsis

plate no. 2158

Still life named : The afternoon sun

Panayiotis Tetsis

oilPost-Impressionismstill lifevasesstill lifetablewheatshadowspainting
some experience helpful

Recreating this painting will help students practice color mixing to achieve vibrant hues and learn to capture light and shadow using bold brushstrokes. It also provides an opportunity to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the vases, table, and background objects.

  2. step 02

    Block in the main color areas for each object using thin washes.

  3. step 03

    Establish the darkest shadows and lightest highlights to define the forms.

  4. step 04

    Begin layering thicker paint, focusing on capturing the direction and texture of the brushstrokes.

  5. step 05

    Mix and apply subtle color variations to create depth and dimension.

  6. step 06

    Add details to the wheat stalks and the rims of the vases.

  7. step 07

    Refine the edges and adjust the overall composition as needed.

  8. step 08

    Add final highlights and shadows for emphasis.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · viridian green · cadmium red · titanium white

Mix various shades of yellow by combining yellow ochre with white and small amounts of green or red. Create shadows by adding burnt umber and ultramarine blue to the base colors.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color temperature variation
  • ·alla prima

common pitfalls

  • →Over-blending the colors, resulting in a muddy appearance.
  • →Losing the freshness and spontaneity of the brushstrokes.
  • →Neglecting the importance of value contrast to create form.
  • →Getting bogged down in details too early in the process.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (yellow ochre, ultramarine blue, burnt umber, viridian green, cadmium red, titanium white)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette knife

optional

  • ·Painting medium (e.g., Liquin)
  • ·Easel
  • ·Apron

Use a medium-tooth canvas to allow for better paint adhesion and texture.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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