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home·artworks·Still life
Still life by Suzanne Valadon

plate no. 6346

Still life

Suzanne Valadon

oilPost-Impressionismstill lifestill lifefruitflowerstablevasechair
some experience helpful

Recreating this painting will help students develop skills in color mixing, particularly achieving luminous yellows and greens, and in capturing the texture and form of various objects with expressive brushstrokes. It also provides practice in arranging a balanced and visually interesting still life composition.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the fruit bowl, vase, flowers, and other objects.

  2. step 02

    Block in the main colors of the background, table, and chair, focusing on achieving the overall color harmony.

  3. step 03

    Paint the fruit, paying attention to highlights and shadows to create a sense of volume.

  4. step 04

    Add the flowers, using a variety of brushstrokes to capture their different textures and forms.

  5. step 05

    Develop the details of the fruit bowl and vase, using lighter and darker tones to create a sense of depth and dimension.

  6. step 06

    Refine the background and surrounding elements, adding details and textures as needed.

  7. step 07

    Adjust the overall composition and color balance to achieve a cohesive and visually appealing result.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism and depth.

color palette

primary · yellow ochre · cadmium yellow · viridian green · alizarin crimson

secondary · ultramarine blue · titanium white · burnt umber

Achieve the yellow background by mixing cadmium yellow with white and a touch of yellow ochre. Create the greens by mixing viridian green with yellow and white. Use alizarin crimson and a touch of burnt umber for the darker reds.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle color variations in the fruit and flowers.
  • →Creating a flat or lifeless composition by not paying attention to highlights and shadows.
  • →Using colors straight from the tube without mixing them to achieve the desired hues.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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