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home·artworks·Still life
Still life by Periklis Vyzantios

plate no. 5100

Still life

Periklis Vyzantios

oilPost-Impressionismstill lifefruitstill lifetableyellowredshadows
some experience helpful

This painting offers a good opportunity to practice color mixing and layering to achieve realistic fruit tones and subtle light variations. Students can also develop their skills in capturing form through brushwork and understanding how light interacts with different surfaces.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the outlines of the fruits and the table.

  2. step 02

    Block in the background with a thin layer of dark brown.

  3. step 03

    Apply a base layer of pink to the table, varying the tone slightly.

  4. step 04

    Start with the yellow fruits, blocking in the main shapes with yellow ochre and lemon yellow.

  5. step 05

    Add shadows to the yellow fruits using burnt umber and a touch of violet.

  6. step 06

    Paint the red fruits, using a mix of cadmium red and alizarin crimson.

  7. step 07

    Add highlights to the fruits using white and touches of yellow or red.

  8. step 08

    Refine the details and add subtle color variations to the table and background.

color palette

primary · yellow ochre · cadmium red · titanium white

secondary · burnt umber · alizarin crimson · lemon yellow

Mix yellow ochre and lemon yellow for the base of the yellow fruits. Use burnt umber and violet to create shadows. Mix cadmium red and alizarin crimson for the red fruits. Add white to lighten colors and create highlights.

techniques

  • ·blocking in
  • ·layering
  • ·color mixing
  • ·blending
  • ·scumbling

common pitfalls

  • →Over-blending, which can flatten the forms.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle color variations in the shadows and highlights.
  • →Not paying attention to the reflections on the table.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints: yellow ochre, cadmium red, alizarin crimson, burnt umber, titanium white, lemon yellow
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use good quality oil paints for best results. A medium-sized canvas is recommended for beginners.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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