apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still life
Still life by Nina Arbore

plate no. 7000

Still life

Nina Arbore

oilPost-Impressionismstill lifestill lifevegetablesfruittableclothsoda bottleflowers
some experience helpful

Recreating this painting will help students develop skills in color mixing, layering, and capturing the texture of different objects with visible brushstrokes. It also provides practice in arranging a still life composition and observing subtle color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the still life onto the canvas.

  2. step 02

    Establish the background color and the tablecloth pattern with thin washes.

  3. step 03

    Block in the main colors of each object (carrots, apples, cabbage, etc.) using broad brushstrokes.

  4. step 04

    Begin layering colors to create depth and form, paying attention to highlights and shadows.

  5. step 05

    Add details to the objects, such as the texture of the cabbage leaves or the reflections on the soda bottle.

  6. step 06

    Refine the colors and values, ensuring that the overall color harmony is maintained.

  7. step 07

    Add final touches and highlights to create a sense of realism and vibrancy.

  8. step 08

    Varnish the painting once it is completely dry.

color palette

primary · cadmium orange · ultramarine blue · yellow ochre · viridian green

secondary · alizarin crimson · titanium white · burnt umber

Mix greens by combining blue and yellow. Achieve muted tones by adding small amounts of complementary colors (e.g., orange to blue). Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·impasto

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the subtle color variations within each object.
  • →Creating flat, lifeless forms by neglecting highlights and shadows.
  • →Losing the overall composition by focusing too much on individual details.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (cadmium orange, ultramarine blue, yellow ochre, viridian green, alizarin crimson, titanium white, burnt umber)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov