apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still Life
Still Life by Émilie Charmy

plate no. 1813

Still Life

Émilie Charmy, 1904

oilPost-Impressionismstill lifestill lifefruittableplatebackground
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and color mixing to create form and texture. It also provides practice in simplifying complex shapes and capturing the essence of a subject.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the pumpkins, plate, and background.

  2. step 02

    Block in the main color areas for the background, table, and pumpkins with thin washes.

  3. step 03

    Start building up layers of color on the pumpkins, using short, expressive brushstrokes.

  4. step 04

    Define the shapes and contours of the pumpkins with darker and lighter values, paying attention to the light source.

  5. step 05

    Add details to the plate and table, using a variety of brushstrokes to create texture.

  6. step 06

    Refine the background with layers of color and texture, creating depth and atmosphere.

  7. step 07

    Add the green tendrils, using bold strokes.

  8. step 08

    Make final adjustments to the colors, values, and details to complete the painting.

color palette

primary · red · orange · green · blue

secondary · yellow · white · brown

Achieve the pumpkin colors by mixing reds, oranges, yellows, and greens. Use white to lighten the colors and create highlights. Mix browns and blues for shadows.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details and losing sight of the overall composition.
  • →Not paying attention to the light source and creating flat, lifeless forms.
  • →Using too much paint and creating a muddy, overworked surface.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov