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home·artworks·Still Life
Still Life by Margit Selska

plate no. 7598

Still Life

Margit Selska, 1967

oilPost-Impressionismstill lifestill lifeflowerspine conestablestriped clothvase
some experience helpful

Recreating this painting will help students practice layering colors to create texture and understand how to simplify complex forms into basic shapes. It also provides practice in creating a sense of depth through value and color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the table, vase, flowers, pine cones, and cloth.

  2. step 02

    Block in the main areas of color: yellow for the background and table, black for the vase and background shadows, white for the cloth stripes.

  3. step 03

    Begin layering colors to build up the texture of the wood grain in the background and table.

  4. step 04

    Add details to the flowers and pine cones, focusing on the shapes and patterns.

  5. step 05

    Refine the stripes on the cloth, paying attention to the folds and shadows.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Use short, visible brushstrokes to enhance the textural quality of the painting.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and balanced composition.

color palette

primary · yellow ochre · black · titanium white · burnt umber

secondary · cadmium orange · sap green

Mix yellow ochre with burnt umber to create the darker wood tones. Use white to lighten the yellow and create highlights. Mix small amounts of cadmium orange into the pine cones to add warmth.

techniques

  • ·dry brush
  • ·scumbling
  • ·layering
  • ·broken color
  • ·impasto

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Creating muddy colors by over-mixing.
  • →Ignoring the importance of value in creating depth.
  • →Making the stripes on the cloth too uniform and flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·black oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·cadmium orange oil paint
  • ·sap green oil paint
  • ·painting medium

Use a canvas with a medium texture to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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