apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Steel Foundry, Coatesville, Pa.
Steel Foundry, Coatesville, Pa. by Ralston Crawford

plate no. 6794

Steel Foundry, Coatesville, Pa.

Ralston Crawford, 1937

oilPrecisionismcityscapebuildingskyfencetelephone polesindustrialclouds
suitable for beginners

Recreating this painting will help students develop skills in geometric abstraction and understanding of value relationships to create depth and form. It also provides practice in creating clean, crisp lines and flat areas of color.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the perspective of the building and the placement of the telephone poles.

  2. step 02

    Block in the large areas of color: sky, building, fences, and ground.

  3. step 03

    Refine the shapes of the clouds, adding subtle variations in tone.

  4. step 04

    Add details to the building, such as the windows and the dark stripe along the roof.

  5. step 05

    Paint the wooden fence, paying attention to the saw-tooth pattern.

  6. step 06

    Add the details of the metal fence above the wooden fence, including the bolts.

  7. step 07

    Paint the telephone poles, adding subtle highlights and shadows.

  8. step 08

    Add the telephone wires, ensuring they are thin and straight.

color palette

primary · ultramarine blue · titanium white · burnt umber · ivory black

secondary · raw sienna · payne's gray

Mix various shades of gray for the building and metal fence by combining black and white. Use burnt umber and raw sienna to achieve the brown color of the wooden fence. Add small amounts of blue to white for the sky.

techniques

  • ·flat color application
  • ·hard-edge painting
  • ·geometric abstraction
  • ·atmospheric perspective

common pitfalls

  • →Inaccurate proportions of the building.
  • →Uneven application of flat colors.
  • →Incorrect perspective of the fences.
  • →Overly blended or muddy colors.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·ruler
  • ·masking tape
  • ·easel
  • ·medium gloss

Use high-quality paints to achieve rich, opaque colors. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Perryville Station

Perryville Station

Martyl Langsdorf

Tree of My Life

Tree of My Life

Joseph Stella

New England Irrelevancies

New England Irrelevancies

Charles Sheeler

From Brooklyn Heights

From Brooklyn Heights

George Ault

Blue Morning Glory

Blue Morning Glory

Georgia O'Keeffe

Ghost Ranch Painting

Ghost Ranch Painting

Georgia O'Keeffe

The Red Hat

The Red Hat

Joseph Stella

Buildings

Buildings

Charles Demuth