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home·artworks·Perryville Station
Perryville Station by Martyl Langsdorf

plate no. 9661

Perryville Station

Martyl Langsdorf, 1940

oil, canvasPrecisionismlandscapetrain stationrailroad tracksskybuildingslandscape
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for muted tones, and creating atmospheric depth. It also provides practice in painting architectural details and linear elements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the perspective of the train tracks and station.

  2. step 02

    Block in the main areas of color: sky, fields, station building, and tracks.

  3. step 03

    Refine the colors in the sky, blending to create a sense of atmosphere.

  4. step 04

    Add details to the station building, including windows, doors, and signage.

  5. step 05

    Paint the railroad tracks, focusing on the perspective and the highlights on the rails.

  6. step 06

    Add details to the surrounding landscape, including the fields and distant buildings.

  7. step 07

    Refine the values and colors throughout the painting to create a cohesive and atmospheric scene.

  8. step 08

    Add final details and highlights to enhance the realism and depth of the painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red

Achieve the muted tones by mixing complementary colors (e.g., blue and orange) with white. Use raw umber and white for many of the grays and browns.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·dry brushing
  • ·color mixing for muted tones
  • ·layering

common pitfalls

  • →Incorrect perspective of the train tracks.
  • →Overly bright or saturated colors.
  • →Lack of atmospheric depth.
  • →Neglecting the details of the station building.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-textured canvas to allow for some visible brushstrokes. Consider using a limited palette to achieve color harmony.

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oil painting for beginners →how to learn by studying the masters →
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