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home·artworks·Station Bridge
Station Bridge by Oliver Kilbourn

plate no. 4967

Station Bridge

Oliver Kilbourn, 1950

oilSocial Realismcityscapestreetbuildingsfiguresskyvehiclesdog
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for atmospheric effects, and capturing the essence of a busy street scene with simplified forms. It's a good exercise in depicting a complex scene with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the street and buildings.

  2. step 02

    Block in the main shapes of the buildings, sky, and road with diluted paint.

  3. step 03

    Establish the light and shadow areas, paying attention to the direction of the light source.

  4. step 04

    Mix and apply the local colors of the buildings, using variations to suggest depth and form.

  5. step 05

    Add details to the buildings, such as windows, doors, and architectural features.

  6. step 06

    Paint the figures and vehicles, simplifying their forms and focusing on their placement within the scene.

  7. step 07

    Add final details, such as the dog, bicycles, and any other small elements.

  8. step 08

    Refine the overall painting, adjusting colors and values as needed to create a cohesive and atmospheric effect.

color palette

primary · burnt sienna · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · viridian green · raw umber

Achieve the warm tones of the buildings by mixing burnt sienna and yellow ochre. Create the sky by blending ultramarine blue and white, adding a touch of yellow ochre for warmth. Use raw umber and white for the road.

techniques

  • ·blocking in
  • ·atmospheric perspective
  • ·loose brushwork
  • ·scumbling
  • ·color mixing

common pitfalls

  • →getting bogged down in details too early
  • →incorrect perspective
  • →muddy colors
  • →overworking the painting

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#8 flat brush
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-textured canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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