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home·artworks·Staten Island
Staten Island by Arshile Gorky

plate no. 5507

Staten Island

Arshile Gorky, 1927

oilPost-Impressionismcityscapecityscapebuildingstreesskyrooftopshouses
some experience helpful

Recreating this painting will help students understand color temperature and how to use visible brushstrokes to create form and texture. It also provides practice in simplifying complex scenes into basic shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and trees, focusing on their relative sizes and positions.

  2. step 02

    Block in the sky with a thin wash of blue, allowing some variation in tone.

  3. step 03

    Apply the dominant colors of the buildings (yellows, oranges, grays) in broad strokes, paying attention to the light and shadow.

  4. step 04

    Add the greens of the trees, using different shades and values to create depth and texture.

  5. step 05

    Define the rooftops with reds and browns, adding subtle variations in color.

  6. step 06

    Refine the details of the buildings, such as windows and doors, using smaller brushstrokes.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the scene.

  8. step 08

    Step back and make any necessary adjustments to the composition and color balance.

color palette

primary · yellow ochre · cerulean blue · burnt sienna · sap green

secondary · titanium white · raw umber · cadmium orange

Mix greens by combining blues and yellows, adjusting the ratio to achieve different shades. Create grays by mixing complementary colors (e.g., blue and orange) with white.

techniques

  • ·broken color
  • ·color temperature
  • ·scumbling
  • ·alla prima
  • ·blocking in

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating colors that are too saturated or uniform.
  • →Failing to establish a clear value structure.
  • →Not simplifying the complex forms of the buildings and trees.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a limited palette of colors to simplify the mixing process. Consider using a medium to thin the paint and improve flow.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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