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home·artworks·Stamboul Bazaar
Stamboul Bazaar by John Frederick Lewis

plate no. 3098

Stamboul Bazaar

John Frederick Lewis, 1840

oilOrientalismgenre paintingbazaarfiguresarchitecturemarketinteriorclothing
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and architectural details, while also learning to manage a limited color palette to create depth and atmosphere. Students will also learn how to suggest details rather than rendering them precisely.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
1

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the overall arrangement of the figures and architectural elements.

  2. step 02

    Establish the darkest darks and lightest lights to create a sense of depth and atmosphere.

  3. step 03

    Block in the main color masses for the architecture, figures, and textiles, using a limited palette.

  4. step 04

    Develop the details of the figures, paying attention to their poses and clothing.

  5. step 05

    Add highlights and shadows to create form and dimension.

  6. step 06

    Refine the architectural details, suggesting textures and patterns.

  7. step 07

    Glaze thin washes of color to unify the painting and create a sense of atmosphere.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · burnt umber · raw sienna · ultramarine blue · titanium white

secondary · cadmium red · yellow ochre · viridian

Mix various shades of brown and gray by combining burnt umber, raw sienna, and ultramarine blue. Use cadmium red and yellow ochre to create warm tones for the figures' clothing and textiles. Mix viridian with other colors to create muted greens.

techniques

  • ·dry brush texture
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting bogged down in details too early.
  • →Overworking the painting and losing the freshness of the initial washes.
  • →Failing to establish a strong sense of depth and atmosphere.
  • →Using too many colors and creating a muddy effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas to allow for both smooth blending and textured brushwork. Consider using a toned canvas to establish a base color and create a sense of atmosphere.

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oil painting for beginners →how to learn by studying the masters →
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