apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St. Stephen Being Led to his Martyrdom
St. Stephen Being Led to his Martyrdom by Fra Angelico

plate no. 6804

St. Stephen Being Led to his Martyrdom

Fra Angelico, 1449

fresco, wallEarly Renaissancereligious paintingfiguresarchitecturecityscapereligious scenerobes
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in mixing subtle color variations to achieve a harmonious palette.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, paying attention to proportions and perspective.

  2. step 02

    Establish the background landscape and sky with thin washes of color.

  3. step 03

    Block in the basic colors of the figures' robes and skin tones.

  4. step 04

    Develop the light and shadow on the figures to create volume.

  5. step 05

    Add details to the architecture, such as arches and windows.

  6. step 06

    Refine the facial features and expressions of the figures.

  7. step 07

    Add final details, such as the halo and decorative elements on the robes.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · ochre · ultramarine blue · burnt sienna

secondary · raw umber · titanium white · cadmium red light

Achieve the muted tones by mixing earth pigments with white and small amounts of blues and reds. Use glazes of diluted colors to create depth and luminosity.

techniques

  • ·underpainting
  • ·glazing
  • ·figure drawing
  • ·drapery study
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Overly bright or saturated colors
  • →Lack of depth in the background
  • →Ignoring the subtle gradations of light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·gesso
  • ·ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Prepare the canvas with gesso to create a smooth surface.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Madonna Enthroned with Saints

Madonna Enthroned with Saints

Filippo Lippi

Christ the Judge (detali)

Christ the Judge (detali)

Fra Angelico

The Dead Christ Supported by an Angel

The Dead Christ Supported by an Angel

Antonello da Messina

St. Michael and St. John

St. Michael and St. John

Álvaro Pires de Évora

Penitent St. Jerome

Penitent St. Jerome

Fra Angelico

The Madonna and Child with the Infant Saint John the Baptist

The Madonna and Child with the Infant Saint John the Baptist

Sandro Botticelli

Coronation of the Virgin (detail)

Coronation of the Virgin (detail)

Filippo Lippi

Adoration of the Child

Adoration of the Child

Filippino Lippi