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home·artworks·St. Pierre de Montmartre
St. Pierre de Montmartre by Maurice Utrillo

plate no. 1043

St. Pierre de Montmartre

Maurice Utrillo

oil, cardboardPost-Impressionismcityscapebuildingschurchcityscapeskytreesstreet
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the essence of a scene with simplified forms and visible brushstrokes. It's a good exercise in understanding tonal values and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and the overall composition, focusing on proportions.

  2. step 02

    Establish the sky with a thin wash of gray and blue, blending the colors softly.

  3. step 03

    Block in the main areas of the buildings with light gray and beige tones, paying attention to the light source.

  4. step 04

    Add darker values to create shadows and define the architectural details.

  5. step 05

    Paint the trees with loose, broken brushstrokes, using greens, browns, and grays.

  6. step 06

    Refine the details of the buildings, such as windows, doors, and architectural elements.

  7. step 07

    Add the street and foreground with textured brushstrokes, using a mix of browns and grays.

  8. step 08

    Add final highlights and details to enhance the overall effect.

color palette

primary · titanium white · payne's gray · raw umber

secondary · yellow ochre · sap green · ultramarine blue

Mix various shades of gray by combining white, Payne's gray, and a touch of raw umber. Use yellow ochre and sap green sparingly to create muted greens for the trees.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Creating too much contrast and making the painting look harsh.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors that are too saturated and not in harmony with the overall palette.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

A slightly textured canvas will enhance the effect of the brushstrokes. Use a limited palette to maintain color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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