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home·artworks·St. Michael
St. Michael by D. Jeffrey Mims

plate no. 8373

St. Michael

D. Jeffrey Mims

oilContemporary Realismreligious paintingfigureangelportraitwingshaloreligious
experienced study

Recreating this painting would help students develop skills in portraiture, including accurate proportions, subtle value transitions for realistic skin tones, and rendering of drapery and textures. It also offers practice in creating a sense of depth and light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition, focusing on accurate proportions of the figure and placement of key elements like the halo and wings.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the figure's skin, hair, and clothing.

  3. step 03

    Establish the light and shadow patterns on the face and drapery, paying close attention to the subtle value changes that create form.

  4. step 04

    Refine the details of the face, including the eyes, nose, and mouth, using small brushes and precise strokes.

  5. step 05

    Add the details of the wings and halo, using gold paint or metallic accents to create a sense of luminosity.

  6. step 06

    Work on the drapery, paying attention to the folds and highlights that create a sense of volume.

  7. step 07

    Refine the background details, adding subtle patterns and textures to create depth.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism and luminosity.

color palette

primary · flesh tones (various mixes of red, yellow, and white) · ultramarine blue · burnt umber · gold

secondary · cadmium red · yellow ochre · ivory black

Achieve realistic skin tones by mixing various combinations of red, yellow, white, and a touch of blue or green to create subtle variations in temperature. Use glazes to build up depth and luminosity in the shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·value studies
  • ·color mixing
  • ·blending

common pitfalls

  • →Inaccurate proportions of the face
  • →Overly harsh or muddy skin tones
  • →Flat or lifeless drapery
  • →Poorly rendered wings
  • →Uneven halo

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (various colors as listed above)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a toned canvas to create a more harmonious color palette.

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