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home·artworks·St. Ladislas Presents Wladislav II and His Sons to the Virgin
St. Ladislas Presents Wladislav II and His Sons to the Virgin by Bernhard Strigel

plate no. 3228

St. Ladislas Presents Wladislav II and His Sons to the Virgin

Bernhard Strigel, 1512

oilNorthern Renaissancereligious paintingfiguresreligious scenelandscapecastleinteriorcurtains
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery painting, and creating a sense of depth through atmospheric perspective. It also offers practice in rendering textures and details in a controlled manner.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, paying attention to proportions and placement.

  2. step 02

    Establish the background landscape and the apparition of the Virgin Mary, focusing on the atmospheric perspective.

  3. step 03

    Block in the main colors for the figures, using a limited palette of earth tones and reds.

  4. step 04

    Develop the drapery folds and shadows, gradually building up the form.

  5. step 05

    Add details to the faces, crowns, and other accessories, using fine brushes.

  6. step 06

    Refine the background details, such as the castle and the sky.

  7. step 07

    Glaze the painting to unify the colors and add depth.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · burnt umber · raw sienna · cadmium red · ivory black

secondary · yellow ochre · titanium white

Mix various shades of brown and red by combining burnt umber, raw sienna, and cadmium red. Use white to create highlights and yellow ochre for warmer tones.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the background.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (burnt umber, raw sienna, cadmium red, ivory black, yellow ochre, titanium white)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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