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home·artworks·St. John's, Newfoundland
St. John's, Newfoundland by A.Y. Jackson

plate no. 5026

St. John's, Newfoundland

A.Y. Jackson, 1951

oilPost-Impressionismlandscapecityscapeharborbuildingsboatshillssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering colors to create depth and texture. It also provides practice in simplifying complex scenes into manageable shapes and forms.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes of the hills, buildings, and water.

  2. step 02

    Establish the sky with a light blue wash, adding subtle variations in tone for clouds.

  3. step 03

    Block in the large areas of color for the hills, water, and distant cityscape using simplified shapes.

  4. step 04

    Begin adding details to the buildings, focusing on their relative size and placement within the composition.

  5. step 05

    Develop the foreground hills with layers of greens, browns, and yellows, creating texture with visible brushstrokes.

  6. step 06

    Add details to the boats and other elements in the harbor, paying attention to their reflections in the water.

  7. step 07

    Refine the details throughout the painting, adjusting colors and values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the form and texture of the various elements.

color palette

primary · cerulean blue · raw umber · yellow ochre · titanium white

secondary · cadmium red · viridian green · ultramarine blue

Mix greens by combining blues and yellows, and browns by mixing reds, yellows, and blues. Use white to lighten colors and create highlights. Achieve the hazy atmosphere by mixing colors with a touch of grey or raw umber.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Getting bogged down in details too early in the process.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors that are too saturated or unrealistic.
  • →Overworking the painting and losing the freshness of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (for cleaning)

optional

  • ·easel
  • ·painting varnish
  • ·rags

Use good quality paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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