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home·artworks·St. John Taking Leave of his Parents (detail)
St. John Taking Leave of his Parents (detail) by Filippo Lippi

plate no. 5493

St. John Taking Leave of his Parents (detail)

Filippo Lippi, 1465

frescoEarly Renaissancereligious paintingfigureslandscapebuildingrocksreligious sceneclothing
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in mixing subtle color variations to create realistic skin tones and textures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main figures, landscape elements, and architectural structure.

  2. step 02

    Establish the basic color blocks for the background, including the sky, rocks, and building, using diluted washes.

  3. step 03

    Begin layering in the darker values in the rock formations to create depth and dimension.

  4. step 04

    Paint the figures, starting with the underpainting of skin tones and clothing.

  5. step 05

    Gradually build up the layers of paint on the figures, adding details such as facial features, folds in the drapery, and highlights.

  6. step 06

    Refine the details of the landscape and architecture, paying attention to the subtle variations in color and texture.

  7. step 07

    Add final highlights and shadows to enhance the overall sense of realism and depth.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light · ivory black

Achieve the muted tones by mixing earth pigments with white and small amounts of red or yellow. Use thin washes of raw umber and ivory black to create shadows and atmospheric effects.

techniques

  • ·underpainting
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in value and color.
  • →Failing to establish a strong sense of depth.
  • →Inaccurate proportions in figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before starting.

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